Best rated publications according to the votes of the website's visitors.
Without J.X. Williams, the face of contemporary cinema would not be the same. His shadowy influence turns up in Tarantino, Scorsese, Kubrick, and even Godard again and again like a bad penny. Despite the best efforts of Hollywood to keep its most notoriou
Jay Rosenblatt, who has been making short films since the early 1980s, makes films that deal with a variety of themes — from birth and childhood to religious faith, tyranny and death. Frequently screened on public television and film festivals, Rosenblatt ’s films are consistently recognized for their unique style and his commitment to taking risks.
Antoni Padrós is a singular figure of Catalan Cinema. Coming from painting, his creative freedom practiced during Franco's regime placed him on the margins of cinema. His films tie in with the American underground and European militant cinemas. The author, however, did not abandon his sniper and transgressive position once democracy was established, maintaining his independent creative proposal. From the margins of the film industry, his work has taken on a progressive role and today is recognized by museums, due to its creative ability through dialogue with the Arts. This edition aims to contribute to the discovery and recovery of the unclassifiable, experimental and vital work of Antoni Padrós.
In this frank and provocative conversation, Thom Andersen and William E. Jones explore an expansive number of topics in relation to their respective film and art practices, among them: the advent of HD technology, experimental filmmakers and their strategies, Los Angeles, “militant nostalgia,” Jesus as revolutionary, the limitations of the art world, art criticism, gay culture, William Morris, and “the Reagans at church.”
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre).
James Stanley Brakhage, de nombre original Robert Sanders, nació en Kansas City, Missouri, en 1933. A los seis años de edad se mudó a Colorado, donde pasaría la mayor parte de su vida. En su dura infancia, halló un refugio temprano en el arte, primero como niño soprano solista y después como escritor y dramaturgo durante la escuela secundaria. Becado en la Universidad de Dartmouth, estudió sólo un semestre, abandonándola para filmar su primera película en 1952.
RESISTANCE(II), is the second volume of this collection of experimental film and video art from the Middle East and North Africa. Featuring nine artists from a variety of cultural and discplinary backgrounds.
Bärbel Neubauer has been creating animation and experimental films since 1980 and composing music and film music since 1991. An Austrian artist living in Germany, Neubauer works in a variety of film mediums including 70mm, 35mm and digital formats. Her practice spans handmade filmmaking techniques of painting and scratching directly on to celluloid through to digital 3D abstract animation.
Special Edition: Digipack DVD with 4 short films and 2 bonus films by filmmakers Maria Klonaris and Katerina Thomadaki. 48-page booklet.
Poéticas del movimiento viene a otorgar visibilidad a un objeto que ha sido excluido de la mayoría de los estudios sobre el audiovisual clásicos: el cine y video experimental argentino.
|
Please notice that our website is not a shop. The items listed here are just for reference. Links will be provided when the publication is not generally available via standard retailers. |
