Originally a Nervous System work (presented live using a special film-projection contrivance that wife Flo and I would set up). The 1929 Laurel and Hardy short Berth Marks, filmed twice, with and without sound, is our glorious take-off point. In some ways

2009 Library of Congress National Film Registry inductee and 1989 Sundance winner by Pat O'Neill. Includes the extra track Easyout.

Six early film works by Pat O'Neill.

Select short, experimental films from around the world that were featured in Experiments in Cinema V5.1 film festival. Note that all proceeds will be invested in ensuring the success of next year's festival.

Five films, both 16mm and 35mm, from Pat O'Neill. Includes the installation works "Two Sweeps" and "Let's Make A Sandwich", presented here as they would be seen in a gallery setting: as continuous loops.

Five 16mm films from the catalog of works by filmmaker and artist Pat O'Neill.

Two 35mm works by filmmaker and artist Pat O'Neill, "Trouble In The Image", an NEA grant recipient, and "Horizontal Boundaries". Includes the bonus track "Runs Good", a First Prize recipient at the Ann Arbor Film Festival, 1971.

Three recent digital film works by Pat O'Neill.

Available on DVD for the first time, this 2004 debut feature of avant-garde veteran (and Ohio-raised) Jennifer Reeves combines elements of narrative, experimental, and documentary techniques to create a truly lyrical example of personal storytelling. In The Time We Killed, Reeves burrows into the perspective of a reclusive woman (poet Lisa Jarnot) who tries to ignore the world outside of her New York apartment. But images from her past and current world events (from 9/11 to the war in Iraq) cause her to confront and fight her growing agoraphobia. Shot on a mix of 16mm and digital video, the brilliantly textured film has achieved extraordinary acclaim for such a radically experimental work and has won major prizes at the Berlin and Tribeca Film Festivals.

For more than 25 years Jon Behrens has worked completely outside of the mainstream conception of what filmmaking is , He began to make films as a teenager in the late seventies, starting out with his Grandfathers Wollensak regular 8mm camera and then mo