Four Parts of a Folding Screen + Fenster + a spoon
Shot in Berlin, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. In part, centred around objects, this programme also includes two short films: Peter Todd's a spoon and Anthea Kennedy & Ian Wiblin’s Fenster. The filmmakers will be in conversation with Gareth Evans after the screening.
Brigade Rouge, Poésie Noire returns for a new issue after 2 years of absence.This festival gives pride of place to tortuous itineraries and convoluted paths through a film and musical program.
The 6th Braziers International Film Festival will be held Aug 30 - Sept 1, 2024 at Braziers Park, Oxfordshire, UK More details at https://www.biff.braziers.org.uk
Regular Deadline: March 30, 2024 Late Deadline: May 18, 2024
Submissions are open to films of every genre - but with a focus on experimental shorts.
Submission fees:
Se cobran tasas de convocatoria
Fecha límite:
Se repite cada semana 1 veces. También incluye Vie Mayo 17 2024.
The 6th edition of Braziers International Film Festival will run from Aug 30 - Sept 1, 2024, with a 3 day programme of international films, along with live performances, music and discussions, at Braziers Park, Oxfordshire, UK.
A tribute afternoon in memory of Shirouyasu Suzuki, to celebrate his work in almost half a century behind the camera and to reconnect with the films made by his son Nonoho Suzuki and his son's wife Yuri Muraoka.
A la luz de linternas: Festival de proyecciones experimentales - 25 de mayo, 20:30 PM Taller de Forma y Sonido. Paysandú 847, Montevideo - Uruguay.
A la luz de linternas es una exhibición itinerante de Cine Experimental - previamente presentada en Guadalajara, México - conformada por obras audiovisuales, realizadas por cineastas de diversas geografías, que bifurcan las posibilidades del lenguaje cinematográfico, la narración y el medio en sí, con la intención de promover las narrativas experimentales.
Louise Bourque's œuvre is an irreducible totality in which personal and family secrets hide behind layers of photochemical emulsion. It offers an obsessive world that is both visceral and oneiric, dotted with repetitive motifs. Death and birth, fertility and decomposition. These oppositions run through Bourque's work and find an echo in her practice; she creates out of images that are "dead" (unused, discarded, forgotten) and buried (in the garden of the familial house).