Works by John Greyson, Jorge Furtado, Birgit Hein, Sherry Millner & Ernie Larsen, Mosireen Collective, Olga Poliakoff & Yann Le Masson Q&A with the organizers In Person & Online
Microscope is very pleased to present “Call of the Wild,” an evening of six experimental non-fiction films made in six countries, organized by New York-based artists and curators Sherry Millner & Ernie Larsen.
Thefirst edition oftransfigured boundaries, an anti-genrefilm program, will commence from 29th April 2022 to 8th May 2022, with in-person screenings at the Cineteca Nacional deMexico.
Fechas:
De Viernes, Abril 29, 2022 (Todo el día) hasta Domingo, Mayo 8, 2022 (Todo el día)
Montréal's micro-cinema, la lumière collective, is please to welcome BRAQUAGE for a wonderful screening on May 4th, 2022, 6:30pm. Sébastien Ronceray will be with us to introduce this program "Sortis des labos".
FRACTO Experimental Film Encounter announces its sixth edition and invites audiences to immerse themselves in 3 days of film screenings, talks and performances, taking place between the 27th and the 29th of May 2022 at Kunsthaus ACUD, in Berlin Mitte.
This year, FRACTO will present forty-one films curated into six programs, along with two film performances and a workshop.
Fechas:
De Viernes, Mayo 27, 2022 (Todo el día) hasta Domingo, Mayo 29, 2022 (Todo el día)
Berlin filmmaker and photographer Theo Thiesmeier presents his newest film accompanied with a program of shorts. The base of the artist's filmmaking has been the close perceptions through the camera recorded with analogue film. This being one of the strengths of the small gauge (Super-8 and 16mm) films: observations of every day life become intensified by the tactile quality of analogue material and the experience of the present observer, the filmmaker. In his more recent films, he has plunged into editing sound and image digitally.
Regarded for decades as one of the monumental and iconic works of the historical American avant-garde, Stan Brakhage’s five-part Dog Star Man remains a defining and radically original work of independent cinema. Utilizing numerous inventive filmmaking techniques ranging from distortion lenses, multiple superimpositions, hyperkinetic editing, hand-painting, and even the physical collaging of materials onto the film strip, Dog Star Man employs a vividly subjective, hypnagogic vision following a mythic man’s ascent and struggle through the obstacles and vicissitudes of existence. Images of birth, death, nature, the cosmos, and the psyche gradually combine and coalesce over the course of the film’s 74 minutes with increasing intensity and complexity, resulting in a total cinematic experience that remains unique nearly sixty years after its initial making.
