Experimental Cinema

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The Film-Makers' Cooperative Presents
Double Your Pleasure: 16mm Films by Jennifer Reeves and MM Serra
Friday, June 28 2013, 20h
Spectacle Theater
124 S. 3rd Street, Brooklyn 11211

Artists in attendance!

Programme:
- The Girl's Nervy (Jennifer Reeves, 1995)
- Soi Meme (MM Serra, 1995)
- Darling International (Jennifer Reeves & MM Serra, 1999)
- Fear of blushing (Jennifer Reeves, 2001)
- Double your pleasure (MM Serra (sound by and starring Jennifer Reeves), 2002)

Publicado en Eventos

MRES Art: Moving Image 2013-2015
A Unique Masters degree devoted to the study of Artists' Moving Image
Open for applications

Over the past two decades, artists moving image has proved itself a dynamic and thriving area of art practice, to be encountered in the gallery, museum, cinema auditorium, and a host of other unexpected venues. But what about the rich and fascinating histories, theories and aesthetics that have led artists to turn to film and video? And what insights can a study of artists moving image offer us for understanding the diverse practices that now fill art spaces internationally as well as in the UK?

A unique association between LUX and Central St Martins College of Art has created a research led masters degree to address these questions. The course is focused on nurturing a discursive culture around moving image art, and offers a number of unique features for students interested in studying and working in the field of artist's moving image.

As the only course of its kind dedicated solely to the study of artist filmmaking, the pathway offers an in depth insight and understanding into the theories, aesthetics and histories that have contributed to its rich and diverse culture and filmmaking practices. Seminars are led by eminent scholars in the field: including Dr Maeve Connolly, Melissa Gronlund, Dr Rachel Moore, Uriel Orlow, Filipa Ramos and Dr Duncan White. Visiting lecturers include Dr Ros Gray, Jonathan Walley, Federico Windhausen and Dr Maxa Zoller, as well as Benjamin Cook, Mike Sperlinger and Gil Leung from LUX.

Publicado en Noticias generales

The Curator and Ruminate Magazine are pleased to host a competition for contemporary artists who create work with moving images. Submissions will be considered on a competitive basis first by a selection panel and then final jury process.

We invite submissions in two categories: Short Film and Video/ or alternative Time-based media.
Submissions are open to any theme, subject, or concept. The only requirement is that work be intended or designed for presentation through digital video projection.

The winner in each category will receive:
- Their work posted on both Ruminate Magazine & Curator’s websites
- Publication of still images from their work in Ruminate Magazine’s Winter 2013 or Spring 2014 issue
- Screening of their work at the CURATOR International Arts Movement (IAM) conference in NYC, October 3rd-5th, 2013.
- $250 cash prize

Deadline: August 1, 2013
Entry Fee: $18

Publicado en Convocatorias

Visual Errata + Other Bent Forms
The Selected Works of Clint Enns
Monday June 17th, 19h
Microscope Gallery
4 Charles Place, Brooklyn NY 11221
Artist in person

Microscope Gallery is very pleased to welcome visiting Canadian filmmaker Clint Enns for his first U.S. solo screening. Enns’ video works often feature glitch and circuit-bending experiments, remakes of classic avant-garde films, and bizarre appropriations. His 2012 video remake of James Benning’s film “Ten Skies”, featuring only the cloud sections, was shown as part of Microscope’s multi-program event “Now What” this January.

Clint Enns is a video artist and filmmaker from Toronto, Ontario, whose work primarily deals with moving images created with broken and/or outdated technologies. His work has shown both nationally and internationally at festivals, alternative spaces and microcinemas including Onion City, Images Festival, He has recently received a Master’s degree in Cinema and Media from York University. His writings and interviews have appeared in Millennium Film Journal, Incite! Journal of Experimental Media and Spectacular Optical. 

Publicado en Eventos

The Third Annual Chicago 8: Small Gauge Film Festival
October 18-20th 2013 @ The Nightingale
Call for entries

The Chicago 8 Small Gauge Film Festival focuses on providing an opportunity to exhibit a wide selection of Super 8 experimental films from around the world created by new, emerging, and professional filmmakers. Our goal is to keep small gauge filmmaking alive, to encourage further activity in this format, and to provide an opportunity for these rare gems to be seen by the Chicago community. We realize how delicate and impermanent S8mm & small gauge filmmaking is, now more than ever. We feel it is of upmost importance to share these films with you and along the way we hope to encourage, inspire, and support those who bravely continue to work in these small formats.

In our first two years we’ve shown over 120 films by 85 filmmakers from the US, Canada, Argentina, Taiwan, Japan, the United Kingdom, Germany, and, The Netherlands.

Publicado en Convocatorias

Unconcious Archives #8: Pierre Bastien, Karel Doing, Louise Curham & Alison Blunt
Wednesday, June 19, 20h
Cafe Oto
18 - 22 Ashwin Street, Dalston, London, E8 3DL

Unconscious Archives transverses noise core and vision spectacle bringing together expanded cinema and sonic propositions from London and afar.

Pierre Bastien brings his latest work and a suitcase full of his famous mechanical orchestral machines to London in a new solo and duo performance. Karel Doing presents his alchemical poetic palindrome films and joins Bastien in a mulit-format reunion performance. And from downunder - Louise Curham illuminates us with her hand painted happenings - joined by prolific London improvisor Alison Blunt.

Publicado en Eventos

Submissions are now open for the 7th Annual Mono No Aware exhibition, to take place December 6th & 7th, 2013 at LightSpace Studios in Brooklyn, NY. Open to all artists; filmmakers, performers, poets, musicians - who incorporate Super 8mm, 16mm, 35mm or altered light projections as part of a live performance, installation, sculpture or expanded cinema presentation.

Deadline is October 31, 2013 (received by)
No digital projections will be considered. Film only.
No fee for submission. Funded by local aritsts and filmmakers.

Event history, entry details and submission form can be found at: www.mononoawarefilm.com

The 2013 image is a scan of Scalp massage, a 16mm film by Kenneth Zoran Curwood.

Publicado en Convocatorias

Films by Richard Kern, introduced by the artist
Saturday, June 15 2013, 20h
White Flag Projects
4568 Manchester Avenue, St. Louis, MO, 63110

Richard Kern is a filmmaker, photographer and writer who came to underground prominence in the 1980s making erotic and experimental films featuring major personalities from the no-wave movement. His interest in extreme sex, violence, and perversion assumes a modified presence today in Shot by Kern, his erotic series for Vice Magazine.

The artist will be signing copies of Shot by Kern, as well as introducing films of his selection. 

Outdoor screening, free admission.

- Shot by Kern book signing, 20h
- Films by Kern screening, 21h

Publicado en Eventos

The full programme for the 3rd edition of Sheffield Fringe (June 14-15) in collaboration with Bloc Projects & Bloc Studios in Sheffield has been announced. The 3rd edition of Sheffield Fringe considers the critical possibilities of film as both documentary and art. This year’s programme traces back through the film co-op movement of the 80s, and earlier experimental film in continuous dialogue with new documentary practices.

Charlotte Ginsborg’s Over the Bones launches Sheffield Fringe 2013, as the opening salvo of a curatorial mix tape that positions artists’ film as musical. The remarkable Sheffield Media Unit archive (1984-89), affirms Sheffield as a centre of both resistance and serious play. In tribute to Michael Grigsby, Living on the Edge (1987) reveals the impact of the Thatcher era on three families, counterbalancing the exuberance Sheffield Media Unit. Urban Observations, guest curated this year by November Paynter, presents videos that work with performance, recital and gathering to share very specific and diverse tales of Istanbul and beyond. Annexinema are showing George Barber ‘s I was once involved in a shit show, Peter Kubelka’s Afrikareise and more + Live A/V performances by Neil Webb, Ron Wright, Rob Barker, Joe Moran & guests.

BLOC PROJECTS Friday 14th June 6pm & Saturday 15th June 12-9pm, 71 Eyre Lane, Sheffield S1 4RB. Admission to all events is free.

See the full programme here: http://sheffieldfringe.com/programmes/year-2013/

For ease of sharing: https://www.facebook.com/sheffieldfringe

Publicado en Eventos

Incite has launched an Indiegogo campaign to raise funds for the printing of the issue, the largest, most ambitious to date, which runs until early July.

With Amos Vogel's passing in April 2012, American film culture lost one of its most passionate and influential iconoclasts. Incite #4, "Exhibition Guide," pays tribute to Vogel's legacy, most notably Cinema 16, a precursor to the flourishing microcinema network of the 1990s and a forebear of today's freewheeling cinespaces. In the age of so-called "participatory" media, in which people connect virtually using avatars and aliases to stream data on handheld devices, what binds these social cinematic sites, and makes them flourish?

While vertically mapping microcinemas of past and present, this issue also surveys the breadth of alternative media exhibition practice, from Dziga Vertov's agit-train and Bill Brand's metro Masstransiscope, to artists who use film without projectors and projectors without film. Incite #4 seeks to engage the history of unconventional cinemas by zeroing in on those puzzle pieces that don't quite fit. Lost-and-found in the couch cushions and idiosyncratically dog-eared, these are the components of itinerant and expanded cinema practices that don't take place inside four-walled cinema chambers, on screens, online or, even, in a projector fashion. Hopefully, these aberrations will spur readers to reconsider the whole gambit of moving image exhibition.

You can view the Table of Contents for Issue #4 online here.

Contributors include: 40 Frames, Adam Abrams, Steve Anker, Rebecca Barten, Christina Battle, Scott Miller Berry, Bill Brand, David Cox, Bill Daniel, Clint Enns, Kate Ewald, Bradley Eros, The Flinching Eye Collective, Walter Forsberg, Brian L. Frye, Sandra Gibson, Elena Gorfinkel, Sabrina Gschwandtner, Sarah Halpern, Adelheid Heftberger, Kier-La Janisse, Michael Johnsen, Chris Kennedy, Richard Kerr, Bryan Konefsky, Christy LeMaster, Alain LeTourneau, Light Industry, Jeanne Liotta, Jesse Malmed, Kate MacKay, Alex MacKenzie, Caroline Martel, Theo Michael, Alice Moscoso, David Nelson, Gordon Nelson, Tara Merenda Nelson, Greg Pierce, John Porter, LuisRecoder, Marcus Rosenstrater, David Sherman, Spectacle, Tess Takahashi, tENTATIVELY, a CONVENIENCE, Donna de Ville, Jonathan Walley, Audrey Young.

Publicado en Noticias generales

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2013 Experimental Cinema

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