Each of Michael Snow's works, spanning across painting, sculpture, video, film, photography, holography, drawing, publishing and music, invites us to experience, question and contemplate the representation, its process and material. Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen illustrates his research both in the visual arts and in sound: "For me, it is an authentic 'talking picture,' built from the true units of the syllable and the frame. All the possible image/sound relationships centering around people and speech generate the movie-audience relationships: a wide range of emotional possibilities; the experience of seeing/hearing this film. 'Speech,' 'Language,' 'Culture' - their sources, their nature... recorded, imaged, prove (?) that in this case a word is worth 1000 pictures.

Founded in 1994 under the name Light Cone Video, the RE:VOIR video project is to make available a colection of videotapes of experimental films, a rich and diverse yet fragile body of work both classic and contemporary.
Experimental cinema as a daring artistic form deserves a place beside its more commercial counterparts. Each cassette is conceived of as an object of discovery and reflection; the films are often accompanied by a booklet of explanatory texts about the films or unpublished writings by the authors themselves on their work. The cassettes are widely disttributed in Europe and in America where applicable.

Stephen Dwoskin was born in New York in 1939 and began making independent shorts there in 1961.  In 1964 he followed his research work to London where he settled and participated in the founding of the London Filmmaker’s Co-op.  His experimental films, for which he himself does the camera work, play with ideas of desire, sexual and mental solitude and the passage of time.  In his films he also explores representation in cinema, performances, personal impressions and his own physical handicap which has been a source of inspiration for him throughout his career.  His sensitive and emancipating works have been the subject of various international presentations.

"In September 1947 I disembarked in Haïti, for an eight-month stay, with eighteen motley pieces of lugage; seven of these consisted of 16-millimeter motion-picture equipment (three cameras, tripods, raw film stock, etc.), of which three were related to sound recording for a film, and three contained equipment for still photography." - Maya Deren

Babel tells the daily life of a filmmaker (Boris Lehman) wandering in his own city (Brussels), which seeks from Mexico on the trail of Antonin Artaud, among the Tarahumara Indians. It's a film about friendship and intimacy, written in first person, which

“Fun and Games (for Everyone): a pitch black and milky white film shot during one of Olivier Mosset’s exhibition openings. A psychedelic game of impro- visation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarize

Gunvor Nelson is a painter, photographer and master of personal film and video. A celebrated artist in her native Sweden, she pioneered personal filmmaking in California from the 1960s to the 1990s.

The first in a series of DVDs dedicated to the Spanish filmmaker Adolpho Arrietta, with his first three films, El crimen de la pirindola (1965), La imitación del ángel (1966) and Le jouet criminel (1969)

Film director Boris Lehman returns, after 44 years, to Lausanne, where he was born in 1944, at the end of the war. He only lived there one year. His parents were Jews who had sought refuge in Belgium when the Nazis seized power in Poland. Forced to flee f

To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's v