Featuring: Quixote Here I Am

Featuring: Tung Mass for the Dakota Sioux Valentin de las Sierras Castro Street All My Life

Filmed with the Bolex Rx8 camera which was the exact same size as a 16mm Bolex but holding 4 times the amount of film time-wise. These rolls were spontaneously edited with my in-camera style and have emerged as portraits, mostly of artist friends, includi

In 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California... During the ensuing years... I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and

By the late 1960s I moved from Berkeley to San Francisco where I met other like- minded artists and experimental filmmakers. It was the era of intense outrage against the war in Viet Nam, psychedelics, and interest in Eastern mysticism.

In the late 1960s I met Stan Brakhage when he attended a screening by local filmmakers in San Francisco. Afterwards he expressed an enthusiasm for trading some of his own 8 mm Songs for a print of my 8 mm film “Love Must Love”. We started a correspondenc

Filmed in Baja California where the desert sun meets the Pacific Ocean and the Gulf. A rusting shipwreck on the rocks outside of Cabo San Lucas in 1972 provides a central and poignant metaphor for a macro-psychedelic and micro-expressionistic exploration

Pip Chodorov's portraits of filmmakers, produced for ARTE tv channel between December 2001 and June 2004.

Fall In Frame opens with the image of a young woman looking at herself and her camera in the mirror, each revealed as she unwraps a sheet to uncover the lens. She sets up the filming space by staging both set and camera and manipulates the light by handli

Blind Light is filmed in the artist's London loft. The presence of camera, studio and artist/performer are registered through image and sound, the loss of the former filling out the presence of the latter. In this way the physicality of object, space and