You are here: Home Videos Your videos Your videos
English (United Kingdom)Español(Spanish Formal International)


Fred. L’Epée - The Passengers (2010)

E-mail Print
Editor rating
 
0.0 User rating
 
0.0 (0)

The passengers (Fred.L'Epee, 2010)Metaphysical demonstration which is raising as an erotic cloud, sometimes becomes Storm and falls again towards the earth in form of Rain while the lightning breaks down the coats of the Universe. The Body lose its likeness then with form to become Shapeless.... The way of Endless Aïdos.

 

Read more...
 

Brice Bowman - Images of the Sleeper (2009)

E-mail Print
Editor rating
 
0.0 User rating
 
0.0 (0)

Images of the Sleeper (Brice Bowman, 2009)Images of the Sleeper is about the concepts that pour through the Artist's mind while processing feelings during the process of creating. Images of the Sleeper is a free-association of dream-like images of visual poetry while intergrating actual footage of Brice Bowman painting.
In the end, Images of the Sleeper is about the life of a piece of art after the death of an artist.

Read more...
 

Pierre & Jean Villemin - Le haricot bleu (2009)

E-mail Print
Editor rating
 
0.0 User rating
 
0.0 (0)

Le haricot bleu (Pierre & Jean Villemin)The blue bean is a wonder of nature.
The depth and intensity of its colour makes this poisonous mushroom all the more deadly since it is attractive.
Having friends is a wonder in life.
What more natural than to share the small joys with those we love.
True friends are after their devotion; it is through them that I knew that the blue bean was delicious and edible!

Read more...
 

Alberto Cabrera Bernal - Perforaciones (2009)

E-mail Print
Editor rating
 
0.0 User rating
 
0.0 (0)

Alberto Cabrera Bernal - Perforaciones (2009)Cinema made out of the minimum and essential: light, its projection and a violated media (black film obtained from processing unexposed colour footage). After "Cada cuatro fotogramas" (Every four frames), the approach to 'negative' filmmaking continues, building by demolition, the film showing us what survives the physical removal of any of its parts. The image is made of points of light on the verge of disintegration, holes that pierce a surface, the celluloid, giving us a compulsive drip of frayed forms that will make us think of the outbreak of the screen. The sounds of Mattin, cracked, shrill, lacerating trebles, stick to the images with a maximum relevance. From the first frame, the frontality of the movie avoids complacencies of any kind with the viewer, forcing him to question the resistance of his listening and his eyes.

 

Read more...
 

E-mail Print
 
More Articles...
  • «
  •  Start 
  •  Prev 
  •  1 
  •  2 
  •  3 
  •  4 
  •  5 
  •  6 
  •  7 
  •  Next 
  •  End 
  • »
Page 1 of 7