Anne Rees-Mogg (1924-1984) was a dedicated teacher and an active defender of 16mm film. Her films deal with time, memory, personal relations and the discovery of cinematography. This session presents a series of works that sketch out a short personal journey through the history of the cinema: from the pre-cinematographic devices of the magic lantern to a poetic tutorial about how to make experimental films, via the photography and the time and movement studies of Muybridge.
Dates:
Thursday, February 2, 2017 - 20:00 to Friday, February 3, 2017 - 19:55
Frames of Resistance explores Wolf Vostell and other Fluxus filmmakers’ use of film as political interventions into the built environment and the media landscape. Vostell proposed this list of films to be shown during his visit to the MCA in January 1970 when he supervised the production of Concrete Traffic. Screening are Vostell’s films Sun in Your Head (1963), Starfighter (1967), and others.
Presented by UChicago Arts, the Department of Cinema and Media Studies, and the Film Studies Center.
Dates:
Friday, February 3, 2017 - 19:00 to Saturday, February 4, 2017 - 18:55
Process is the first experimental film festival in The Baltics dedicated to experimental, analog filmmaking. Taking place on the 22nd to 25th of March in Riga, Latvia, the festival will provide four days of intensive program consisting of film screenings, talks, discussions, lectures and expanded cinema performances. We welcome the submission of experimental short films where the use of celluloid has been part of the filmmaking process.
"The goal is for the projected image to have the same force of awakening sight as any other great image."
Over five decades, American filmmaker Robert Beavers (*1949) has come closer to this self-set goal than anyone else in his métier. Those fortunate enough to have experienced the complete retrospective of Beavers' work organized by the Austrian Film Museum in the autumn of 2010 are familiar with the sensory intoxication and the intensity of visual and aural experiences these works give rise to. They offer an immersion into the beauty and intelligence of craft – both when it comes to the places and activities recorded by Beavers (anywhere between Florence and Massachusetts) and in relation to his own film craft shining in the projection.
In the times of public intrusion into the private sphere, right wing populists and religious fundamentalists threatening the freedom of expression and diversity, and conservative politicians pressing for control and surveillance, the expressions of private life become a political affair again. Related to the slogan of 1968 "The personal is political", the here presented films talk about personal or private affairs in relation to the public sphere and the urban space.
Dates:
Thursday, January 26, 2017 - 21:00 to Friday, January 27, 2017 - 20:55
2017 West Virginia Mountaineer Short Film Festival Call for Entries Festival Dates March 24 – March 26, 2017.
The West Virginia Mountaineer Short Film Festivalinvites imaginative, well-crafted and compelling works in film, video, animation and virtual reality. We impose no rules or restrictions governing content or artistic approach. Rather, we celebrate creative and innovative approaches to expression, medium, concept and narrative, in both traditional and non-traditional forms.
Iris Film Collective is pleased to present the inaugural installation of IN HOUSE, a year-long series of film and light installation at the Falaise Fieldhouse (3434 Falaise Avenue, Vancouver BC, Canada) by Collective members.
BUNGALOW is a site-specific installation by Alex MacKenzie on view every evening from 6-9pm at the Fieldhouse from February 13 through the 26th, 2017.
Dates:
Monday, February 13, 2017 (All day) to Sunday, February 26, 2017 (All day)
