025 Sunset Red

025 Sunset Red is a kind of quasi-autobiographical reckoning. An indiscernibility of then and now. Recollection and immediacy. Delicacy and virility. The elusive and the haptic. The Basque Country and California. It’s a set of echoes of an upbringing by communist radicals, not as nostalgia but as a way of making sense, of finding practical applications of the past in the present. Within the film, blood is collected and poured, red filters cover landscapes, and images of desire are both produced and observed. The film is a diaphanous, psychedelic foray into the domestic and the political, looking at ways that politics may erupt, shape a life, form a sensibility, and become inscribed upon a body.

Shot in California: Benton, Alabama Hills, Ojai, Big Sur, Independence, Rim of the World, Indian Cove, Vernon and Los Angeles.
Archival Photos: P.C.E. (Partido Comunista Español) and E.P.K (Eukal Partidu Komunista), Communist gatherings in Bilbao and Madrid and Familia Prado.
Made with: Ren Ebel, Shambhavi Kaul, Emilio Luarca and Forouzan Safari
Music: Kane Lafia, Claire MckEwon, Laura Steenberge
Sound Mix: Craig Smith
Typography: Lucas Quigley
Post: Andew Busti
Color from Neg: Caitlin Díaz, Cinelicious
Thank you: ACB; Kate Dollenmayer; Usoa Fullaondo, Aram Moshayedi, Christina Nguyen, Anastasia Sargent, Hamza Walker, Suzanne Wright, Lindsey, Walt and Ann Hoffmann.

Translated title: 

025 Sunset Red

Author: 

Country: 

United States

Year: 

2016
Technical data

Original format: 

16mm

Speed: 

24FPS

Aspect ratio: 

1.37:1

Colour: 

Colour

Sound: 

Sound

Length: 

14 minutes

Image Gallery: 

025 Sunset Red (Laida Lertxundi, 2016)
025 Sunset Red (Laida Lertxundi, 2016)

Author(s)

  • Laida Lertxundi (Bilbao, 1981) makes films with non-actors that evoke external and internal spaces of intimacy. Through intricate arrangements of actions and sounds, her work explores how filmic moments can be imbued with emotional resonance. As her cinema questions how viewers’ desires and expectations are shaped by cinematic forms of storytelling, it also searches for alternative ways of linking sound and music with found locales, constructed situations, and quotidian environments.

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